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Cool photos :tup:
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thanks he did a good job
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You should buy your bro a tripod..
Some of those pics look like Michael J. Fox snapped them. Also the picture that you really liked kinda sucks. Why did he focus on the keyring? The day pics don't look bad, but the cropping looks weird though. |
Nice work. The first one's are a bit out of focus/blurry. Night shots are always a bit tricky, but once you know the basics, it's a lot of fun. Here's what you need:
-Get Tripod -Set your ISO to the lowest it will go. I think it's ISO 100 for the Nikon -Get a remote trigger or use the timer -Set the camera to 'M' Manual mode -Depending on how much you want in focus and the lens, set your aperture (f-stop). This will control your depth of field along with the focal length and distance. A higher number, like f11 or f22, will have more of the background in focus. -Next, adjust the shutter speed to control the overall scene. Longer exposures will allow more light in. -Last but not least...and probably most important is lighting the scene. Be mindful of how light hits whatever you're shooting. That 3rd shot looks remarkably better than the first two for example. -Keep on experimenting. You're off to a great start. In that last pic, it would be more interesting if the background was slightly blurred for example. Try this in that same setup...set the camera to aperture priority. Since the kit lens is probably an 18-55mm, zoom it all the way to 55mm. Set the aperture to the lowest f-stop, probably f/5 @ 55mm. Now just move forward or away from the car to compose the shot, bringing the car into focus. As far as lenses, the Nikon 35mm f/1.8 or 50mm f/1.8 are relatively inexpensive, but really, really great lenses. It's a 'prime' or fixed as oppose to a zoom. It's great because of the large aperture which gives you the bokeh or blurred background look easier. If you want to shoot up close, invest in a dedicated Macro/Micro lens. The least expensive Nikon Micro is the 40mm. The difference between a dedicated Micro and a regular lens is the ability to magnify and a really close focal lengths. There are a few affordable programs out there. Adobe Lightroom and Apple Aperture are probably the easiest and most popular. |
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as far as the key ring we were playing with it to me it looked cool thanks for the input :P Quote:
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No prob. Lightroom and I believe Aperture also, have full version free trials before you buy it. It last for about a month, so I would suggest your bro try it out before spending $100-150.
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Nice shots my friend!! Keep them coming!!
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I would recommend shooting in NEF and using Nikon Capture for adjusting sizing, resolution, sharpening, and exposure.
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I think he should learn the basics before shooting in RAW. It's great, especially in post, but for someone starting out, I'd stick to jpeg. Often times they come out just as good.
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I like the colors
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Nice shots! I really like the one on the RPM gauge.
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thanks guys i think hes reading these comments im sure he will be back to visit me one day :P
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For quick and dirty pictures, I just shoot in JPG just for the sake of time and file size. Even though I have a 32 gb memory card, shooting in RAW takes too much time to edit and the file sizes are just cumbersome to deal with. Simple color/contrast/exposure Photoshop adjustments work fine on JPG files and besides, you're not going to upload 1920x1080 resolution pictures to your online photo album and nobody wants to wait for a picture of that size to load. Unless you're shooting a wedding or some super important event, JPG is fine.
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RAW: Pro's -uncompressed/lossless data from your camera's sensor -higher dynamic range Con's -requires post processing 100% of the time -can't print without post processing -larger files size (around 8mb's for an 8 mp image) -not as sharp & lower in contrast (without post processing) JPEG: Pro's -image standard format -sharper -can print without post -no correction needed most of the time (if shot correctly) -low file size (1-3mb for an 8mp image) Con's -lower dynamic range -compressed file (opposite of lossless. You could lose data when you manipulate) Basically, data the human eye can't percieve is thrown away much like an mp3 file is to music. The good news is that most DSLR's in-camera software process jpeg's pretty well as oppose to inexpensive point & shoots. Shooting RAW is great because it lets you edit white balance, exposure all with lossless data. It means fixing a mistake made in the field is easier to correct. I personally shoot in jpeg+RAW 50% of the time. A perfectly shot image will not need post processing. If you have to heavily edit every single image you shoot in post, you're doing something wrong in the field. |
Nice pics. I like the rpm & shift nob photo's the best.
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Show me somebody who doesn't post-process their photographs from their digital camera and I'll show you somebody who is just doing shapshots. It would be a very rare professional photography gallery indeed, whether shot in JPEG or RAW, that demonstrates images that are not post-processed. Ansel Adams photgraphic art was ALL about post-processing. Compared to the hours and money I used to spend in the darkroom cropping, exposing, dodging, burning, I rejoice in the ability to accomplish all of that and FAR more in front of my computer far cheaper and far quicker. My point is that post-processing is desirable for virtually every image if the photographer wants to achieve the artistic vision he had in his head when he pushed the button. If that's the case, then IMHO far better to start with digital data that is accurately and easily amenable to such manipulation. |
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Having a wealth of knowledge & experience with photography, You of all people should know $$$ equip doesn't always equal better pictures. I'm not a pro by any means, but the notion that every shot must be post processed to be any good is a bit of a reach. It's obviously more difficult to get it right in the field, but it's not some unicorn you'll never catch. Artistic vision aside, everyone I know does some sort of post processing, including myself. I guess my point is that people tend to rely on post as a crutch. Artistic vision starts in the field, not in front of the computer screen. |
He's not stating every image should be developed in post. No one develops every single image, If they are then I want to know that photographer who shoots all images flawlessly. However, you shoot all your images in raw to have "uncompressed" quality. JPG is good for 60% of people. It gets them adequate RGB values. However I find the colors crushed and the inability to retouch and or edit is scary and unprofessional. But again the forum isn't comprised of fashion photographers car photographers. My two cents as a professional if you feel really good about a shoot after the first few shots switch to raw + L JPG. You'll he happy you did.
ThePhotographer |
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Of course. Artistic vision starts in the field but it doesn't end there for images that are important to the shooter. And if one is going to post-process in order to make the picture reflect what the shooter wants it to reflect, better to do it in RAW. Post-processing images shot in JPEG requires that you undo what the camera has decided about color, sharpness, white balance, and exposure, or even worse, try to overlay your own processing concepts on the decisions the camera has already made about those aspects. Certainly I don't advocate post-processing every image one shoots. The majority of mine don't even get past the thumbnail stage. When I find an image that I like in my camera, I want to be the one who decides how it's going to print up, not my camera, or worse, KodakGallery (now Shutterfly, I guess) or Whitehouse Color. |
I've started shooting in RAW + L Jpeg for everything so if I feel the need/urge to do some read editing in post I can use the RAW format. Otherwise if the JPEG image turned out the way I like it I may well just use that. Digital "film" is free so why not use both.
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i guess i should ask what tripod is good now and good lenses?
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He needs to first determine his needs relative to the distances that he will be shooting at (zoom range), then determine how much he wants to spend. I have always preferred Nikkor lenses, but there are several other brands, usually cheaper, that may be suitable for him. A good website to review such things is DP Review. It might also be fruitful to read through the various Nikon camera and lens forums on that site.
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For a professional fotog, it really depends on what you're shooting. Some sports photographers for example, need the speed without slowing down the buffer. In a setting like fashion or portraits, shooting RAW is the obvious choice. It's a controlled setting and large file sizes isn't as much of an issue. I shoot mostly in jpeg because for me, it's good enough. I'm not a pro, an artist, a seasoned vet, nor claim to know everything about this field. I wasn't even alive in the 70's. This is just a hobby to me. The closest my images will ever come to a gallery is my hallway... and I'm fine with that. |
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I simply don't share your view that it's some kind of crutch used as a means of correcting poor shooting technique. I don't buy the concept of turning over the final image quality to some Nikon engineer's algorithm that reflects his concept of what my images should look like. I understand your point of view...I just don't agree with it. |
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Perhaps we can put this to rest by just saying that this is all just my opinion. Yours may be different. I have no problem with that...in the end, the OP will have to draw his own conclusions from the discussions. |
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