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Old 10-15-2015, 12:46 PM   #3168 (permalink)
Z&I
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Location: New Jersey
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Quote:
Originally Posted by Cmike2780 View Post
I think we're trying to say the same thing. That's why I use the RAW file as my base image. It's usually already a neutral starting point. I've used the curves method plenty of times and it can be very helpful. All I'm saying is that color correction or any other type of correction doesn't need to be perfect, it just needs to fall into an acceptable range for the final displayed type. I've had the same images up on my iPhone, monitor and printer and all three display color very differently. Heck, the ambient room lighting you're viewing the device/print in changes how your eye sees color. It's really frustrating actually, but that's physics for ya.

It can also vary depending on what photo sharing site you're using and the final image file you save it as. Facebook for example, won't do your images any justice. The way they compress images makes them muddy. It's a wash trying to critique an image's color calibration if you're not seeing it on the exact same monitor in the exact same room. I create architectural renderings for clients and I kid you not, many can't comprehend that shade, shadows and brightness changes what color your eyes see. I show them one without shadows and they wonder why it doesn't look realistic

I totally agree that putting the work in to make it "perfect" will give you a stunning picture. I know it might not even be what you're sating, but I just think people can go overboard real fast trying to post process what should already be a great shot. Today's DSLR's do a pretty impressive job at calculating the correct exposure and color balance, why not take advantage?
Awesome!
Agree 100% on all counts! Especially overprocessing and exaggerated use of filters.
Every avenue of viewing is different whether it be a monitor or print.
I tend to favor prints because that's where I cut my teeth in photography.
And the end result is more in your control as well, so you can present your work without the unknown variables coming in to play.
I'm still using my Nikon D3 which in the digital realm of technology is almost a dinosaur.
Got tired of shelling out $thousands every 6 months just to keep up with the latest and greatest.
Might think of upgrading to a newer model once the 370z build is finished and paid for though !
In the meantime I can still make awesome quality images with it and with a little help from our friends at Adobe [still using CS3 btw ......once you've got the basics down you realize that most of the upgraded features are just repackaged actions or bundled tools].
I've also 'recalibrated' my Hasselblad Digital back to import images with a pre-correction to offset the green cast inherent in the raw image.
Thanks for posting !
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